I was fascinated by the Channel 4 documentary, 'Bobby Kennedy: The Last Journey' about the photographs taken by Paul Fusco from a train carrying the body of Robert F Kennedy to his final resting place in Washington. The train travelled through miles of waiting people hoping to pay their respects and as the train passed, Fusco photographed the people with a 35mm camera using Kodachrome film. The images have the wonderful colour that you would expect and a little motion blur which also adds a point of focus and stillness to the faces of all those people. The photographs tell the story of that day but also of that time and it was inevitable then that the documentary film makers tracked down and interviewed some of the people waiting to see the train that day in June 1968. The book has been beautifully produced with really great scans of the original slides. If I can find a place where the documentary can be seen I'll post a link.
Tuesday, August 30, 2011
Aer Lingus TV
After having won a recent pitch for Aer Lingus, Irish International art director Paddy Geraghty asked me to shoot a portrait of Aer Lingus cabin crew and pilot for a TV ad he was working on. We cast the crew from Aer Lingus staff and shot in the glass walk way at the new terminal 2 at Dublin airport.
The retouching was completed by Jeff bennett. For the techies among you, we shot on a Nikon D3X using the 14-24mm 2.8 lens and Profoto lighting.
Irish Examiner ad on teens' porn addiction

Thursday, August 11, 2011
Electric Ireland ESB rebranding image bank

These images are from an image bank recently completed with art directors, Steven Mangan, and Nicky Hooper, working with Cawley Nea.
http://www.trevorhart.com
Wednesday, August 3, 2011
Recent Work in France

I recently had lunch with my family at Le Caillau in a beautiful valley full of vinyards in the heart of the Cahors region in south west France. Chas and Caroline Sharp have restored an old vineyard and created a cafe, restaurant and gite. The happy coincidence of the visit was that they needed photographs of the finished accommodation in the the gite for their website and a number of on-line guides. I spent a lovely morning taking photographs and in the evening while I waited for the sun to go down over the view from the bedroom (see image above), the rest of my family enjoyed their dinner in the restaurant!
I also did a quick video of the place and the pottery workshops (see below).
I also did a quick video of the place and the pottery workshops (see below).
http://www.trevorhart.com
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Tuesday, August 2, 2011
Cara Magazine feature on the Irish horse racing industry
The new edition of the Aer Lingus in-flight magazine CARA is out today and I'm delighted to have been commissioned by its new editor, Fran Power to shoot a series of photographs featuring key people involved in the Irish racing industry. We enjoyed two days of shooting at the Curragh in Kildare with a typical mixed bag of Irish weather. I would like to thank Lynda Fraher from Horse Racing Ireland who produced the shoot and worked with us throughout to help pull everyone together. Here is a selection from the spreads and a video of the shoot can be seen below.
Editorial photography, Dublin, Ireland, Cara Magazine, Aer Lingus, lifestyle photography, photography in advertising, commercial photography, Image magazine, still life photographer, casting, photography advertising, photo shoot Dublin, billboard photography, advertising photographer, food photography, dublin photographer, ireland, food and drinks photography, people and places photographer, photographers dublin, on location photography, photographers Dublin, photographers, headshots, portraits, studio photographer, retouching, high resolution imaging, food packaging, photographers, photo studios, headshots, liquid photography, product photographer, still life photography, high definition photography, large format photography, famous photographers, commercial photography, photographers commercial, headshots Dublin,advertising photographers, leaf capture, product photography, clients - Cawley Nea, Ogilvy, Irish International, Brando, BMW, Rothco, McCann Erickson, Bank of Ireland, Barrys Tea, Bord Gais, Carmen wines - Edward Dillon, Dr Oetker, ESB Electric Ireland, Guinness / Diageo, Irish Examiner, Kerry Foods, Ulster Bank, photography studio Dublin
Monday, July 25, 2011
Dr Oetker packaging and side dish shoot
Tuesday, December 28, 2010
Jane Bown 'Exposures'
I started taking pictures in 1978 after my parents gave me a Zenith E for Christmas. I suppose my uncle John in Australia also inspired me to be a photographer but more by the stories of his glorious Australian lifestyle than the pictures themselves. It was't news or sports photography that interested me anyway. It was the portraits of Jane Bown published each week in the Sunday Observer. Her portraits were starkly graphic and visually simple. You may have seen hundreds of pictures of any one of her subjects but never one like hers. At the time I was 13 and unable to articulate the sensitivity and emotion that Jane was able to deliver every week in her portraits, and it hadn't really struck me that she was 'a woman in a mans world' competing with male photographers. I was only aware of my desire to photograph like her. This was what I wanted to do. When she stopped taking pictures I would take over, get a job on The Observer and that would be it. All very possible as far as I was concerned. Then years later I realised those male contemporaries of hers were running to keep up, she wasn't competing at all. She was and is an artist despite her own insistence that she's a 'hack'. Perhaps that was a term she used just to provide for herself a place of safety in which she could work. Each week being left to do her own thing and deliver another beautiful portrait for her editor and the their readers unencumbered by the pressures put on an artist to deliver a new kind of genius in every new piece of work. Jane Bown's new book 'Exposures' makes a beautiful collection of portraits both published and until now, unselected from a vast archive of contact sheets. The book shows an incredible range of subjects over a long career. Above all it reminds us of her real genius, a unique view point and insight that she delivered again and again.
If that is the job of the 'hack' then I aspire to be a hack and leave the attempt at art to other photographers.
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Saturday, December 18, 2010
Erin Quinn - 'Dreaming'

http://www.trevorhart.com
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Tuesday, November 30, 2010
It's a wake up call for the whole country David!
I was looking through my archive recently and found this ad from a series I did with John Martin for Newstalk back in about 2003?? In years to come our kids may not remember the names of the 4-in-a row Kilkenny hurling team but they'll be taught the name of David McWilliams. And the GeansaĆ? Well the marketing director at Newstalk was really into the idea of photographing David in his 'Saturday' jersey to make him look more 'approachable'. It wasn't the right look really and even David's wife called the show to say that she thought she'd given it to Oxfam! Oh happy, happy, spend-thrift days.
http://www.trevorhart.com
http://www.trevorhart.com
Lifestyle photography, Dublin, Ireland, commercial photography, still life photographer, casting, billboard photography, food photography, dublin photographer, ireland, food and drinks photography, people and places photographer, on location photography, portraits, studio photographer, Editorial photography, retouching, high resolution imaging, food packaging, advertising photographer, liquid photography, product photographer, still life photography, leaf capture, high definition photography, large format photography, clients - Cawley Nea, Ogilvy, Irish International, Brando, BMW, Rothco, McCann Erickson, Bank of Ireland, Barrys Tea, Bord Gais, Carmen wines - Edward Dillon, Image magazine, Dr Oetker, ESB Electric Ireland, Guinness / Diageo, Irish Examiner, Kerry Foods, Ulster Bank, Cara Magazine, Aer Lingus
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